Linus Bill (*1982) lives in Bienne, Switzerland. 

A few years after studying photography at the Zürcher Hochschule der Künste in Zurich, I slowly moved away from photography and towards painting and sculpture in collaboration with Adrien Horni. 

I never stopped taking pictures, I would just not work with them. In recent years my desire to show them has slowly returned, which is very motivating.
What I appreciate most about photography is that it allows us to see how other people look at our world. 

Publications have always played a central role in my/our work and are usually the home base for new series. 

I/we have had solo shows among others at the Swiss Institute in New York, FOAM in Amsterdam, Kunsthaus Biel, Eighteen in Co- penhagen, Galerie Allen in Paris, and Ellen de Bruijne Projects in Amsterdam. 

Lyy Raitala (b. 1999) is a Finnish lens-based artist currently based in the Netherlands. Her practice involves staging reality through composed images, video scenes, and spatial interventions. By using familiar objects and settings in unexpected ways, she explores the absurdity of everyday life to craft narratives that blend fiction with autobiographical and documentary elements. 

Raitala's work addresses themes such as femininity, productivity, and the artificial nature of contemporary environments. She is particularly drawn to the subtle, often overlooked moments that disrupt routine, revealing both humorous and unsettling aspects of daily existence. Her visual language is rooted in observation and play, using the performative nature of constructed scenes to question what is real and what is imagined. Inspired by ordinary movements and gestures, Raitala’s work challenges the viewer to reconsider the normal and reflect on how we experience and interpret reality in both public and private spaces.

Mads Skarsteen (b. 1992) is a Danish artist based between Copenhagen and Malmö, currently pursuing his Master’s degree at Malmö Art Academy. Working across analogue photography, installations, and sculpture, he blends documentary and fiction to explore connections between Danish and Swedish culture as well as intimate, personal narratives. His current series, The Days Feel Shorter, reflects on nostalgia, masculinity, belonging and youth culture. Mads Skarsteen’s practice is marked by a deliberate sensitivity to materiality and an ability to translate social and emotional landscapes into tangible, poetic forms. 

Magnus Lind Nielsen (b. 1997) was born and raised in the suburbs of Copenhagen. His work continually surveys and draws inspiration from his native environment. He combines theoretical reflection and a multi-disciplinary approach, drawing on his own experiences growing up in the sometimes notorious suburb of Albertslund. 

Lind Nielsen’s practice is rooted in Albertslund, examining the area in relation to proletarian values, class, sociology, politics, representation and visual culture. His playfuland critically reflective insights explore new potential in both materiality and theme.

Moving beyond the parameters of documentary photography to incorporate found artefacts and ephemera as artistic materials, his work often centers around behavioral phenomena. 

Magnus Lind Nielsen holds a BFA from the Royal Danish Academy of Fine Arts and a BAin art history from the University of Copenhagen. Much of his work is permanently exhibited and installed in several Danish cities. 

Malwina Migacz

Jeg er interesseret i forholdet mellem kontrol og dominans og en ureguleret tilstand, der finder vej gennem sprækkerne.

I mine værker afsøger jeg menneskets forhold og placering i de systemer, vi sætter op omkring os selv (politiske, kulturelle og sociale) og den dominans, vi forsøger at skabe over vores omgivelser (mennesket ift. naturen). Jeg tager udgangspunkt i vestlig kultur med fokus på arven fra tidligere Sovjet.

Her bruger jeg erfaring fra min egen baggrund, idet jeg er født i Polen under det kommunistiske styre. Jeg arbej- der med flere medier og teknikker – tekstiler, cement, kul, video, 3D animation, maleri og fotografi. 

I materialerne søger jeg efter dissonante forhold, der arbejder hen imod uoverensstemmelser og grænser for eksisterende logik. 

Marius Presterud

Norwegian artist working between Berlin and Oslo. My practice spans sculpture, poetry, performance, and ecological intervention—exploring ethics, humanistic myth, and alienation within growth-centered progressivism. Shown at Henie Onstad Kunstsenter, Kunsthalle Vienna, and Hamburger Bahnhof, among others. 

Martina takes the pictures, Thomas asks the questions. Together they developed and have been working on Brotherland for over four years.
Martina was born and grew up in Italy. Thomas was born and grew up in a state that no longer exists, the GDR. Both live in Berlin now. 

Thomas has worked as streetworker and educator. Martina holds a BA in Modern and Contemporary History, attended Lisa Barnard‘s masterclass and has exhibited her photo- graphic works internationally. Now they both work – in Berlin’s night life - as bouncers. Their project Brotherland was exhibited at Castelnuovo Fotografia (Italy), Les Boutogra- phies and Hors le Murs (France), Fusion Festival and shortlisted for Format Festival, Duke Collection Awards, Verzasca and Athens Foto Festival. 

It was exhibited in various cities in Germany as Rostock, Dresden and Berlin. 

Mette Colberg (b. 1981) is educated from The Royal Danish Academy of Fine Art, School of Design on Bornholm, Denmark and Konstfack University College of Arts, Crafts & Design, Stockholm, Sweden.

Colberg's work explores transparency from both a material and an immaterial point of view. Her curiosity revolves around the paradox of transparent glass; the simultaneous absence and presence of the material, which gives it the potential to transcend spaces and alter perspectives. 

With an urge to explore the concepts of transparency and perception through handcrafted glass lenses and photography, Colberg’s work unfolds as abstract photographic and sculptural compositions of fractured multiple viewpoints. It suggest an alternative logic and offers the viewer a room for reflection on ones own perspective and context. Colberg's works has been exhibited nationally and internationally since 2006 and was selected to represent Denmark at the European Glass Context in 2016 and 2021. In 2013 she held a talk on transparency at the annual TEDxCopenhagen at Bremen Teater in Copenhagen. 

Michel Aniol was born in Tychy/ Poland in 1983. He migrated with his family to Germany in the late 1980‘s. Aniol studied visual arts and graduated from Weissensee Academy of Art Berlin in 2012, followed by a year as Meisterschüler with Prof. Antje Majewski.

His works have been shown in various exhibitions, projects and festivals in Germany, Italy, France, Austria, Thailand & Papua New Guinea and were displayed at galleries and institutions such as Kleine Humboldt Galerie, Berlin, Spoiler, Berlin, Berlin Britzenale, Berlin, Galerie Irrgang, Leip- zig, Künstler_innenhäuser Worpswede, Worpswede, Bangkok City City Gallery, Bangkok among other. 

Aniol is co-founder and artistic director of the project space stay hungry, Berlin, and was awarded the Auszeichnung für künstlerische Projekträume und -initiativen by the Senate of Berlin in 2018. 

Recently Aniol held a lectureship at Muthesius University of Fine Arts and Design in Kiel in 2024. Aniol works and lives in Berlin, Germany. 

Mischa Schlegel (b. 1993 in Zurich) is a visual artist whose work explores the relations between people, objects, and places. He examines how an individual shapes his environment and, vice versa, is being influenced by his surroundings. Where do we position ourselves and our body in this complex construct? Schlegel has participated in group shows in Zurich, Winterthur, Gothenburg, Tokyo, and Paris. With focus on lens-based media, he is currently working on personal and commissioned projects in Zurich and Paris.

Born in Hamburg to a Haitian mother, Myro Wulff is a London- and Copenhagen-based artist whose practice challenges the formal conventions of photography.

Working across analogue processes, Digital experimentation and traditional Photography, the work unfolds in spaces of uncertainty, where light, bodies, glass, dust, and other materials are invited to entangle. Rooted in a deep sensitivity to process, Wulffs practice is intuitive, physical, and driven by a curiosity about human and material encounters and the unstable boundaries of perception.

Trained at Central Saint Martins and the Royal College of Art, Myro Wulff has exhibited across Europe and the U.S., with recent shows at Saatchi Gallery, Flou Darkroom (Paris), and Cromwell Place (London). Publications include maybe. magazine, Sedition, and Interview Magazine. Drawing from a diasporic lineage and embodied knowledge, his work resists fixed readings—preferring instead to dwell in friction, flux, and playfulness.

Nadja Brečević (b. 1997) is a swedish artist and photographer educated at Valand Academy. Her work combines photography, video and installation. Based in Sweden and Denmark.

Nanna Bisp Büchert. Born 1937 in Copenhagen. Lived in Reykjavik until 1958. Returning to Denmark, I was studying archaelogy for some years at the University of Copenhagen. Professional photographer from the beginning of the seventies.

Nancy Munford is a multi-media artist based in Copenhagen, Denmark. She was born and grew up on the east coast of the USA, with roots in the rural South. She received a B.F.A. in photography and printmaking from Cornell University in 1984. After gaining experience as a photographic retoucher and specialized painter in NYC, she relocated in Boston where she started making installations and working with early digital design. In 1995, she moved with her husband to Denmark, where they raised their two children. She has studios in Copenhagen and in Österlen, Sweden.

Nayab Noor Ikram (b.1992, Mariehamn) is a Finland-based visual artist and photographer of the Pakistani diaspora from the Åland Islands. Her artistic practice spans moving image, photography, performance, and installation, exploring themes of in-betweenness, cultural identity, and memory through the lens of rituals and symbolism. 

Her works have been presented in exhibitions in Finland and internationally at The Finnish Pavilion at the 15th Gwangju Biennale (2024, KR) Botkyrka Konsthall (2024, SE) Helsinki Kunsthalle (2023, FI) Gerðarsafn (2022, IS) Mänttä Art Festival (2021, FI) Västerås Art Museum (2020-2021, SE) and the European Parliament (2020, BE). Her work can be found in public and private collections of the City of Helsinki managed by the HAM Helsinki Art Museum and The Åland Art Museum. 

She received a Culture Award from the Swedish Cultural Foundation in Finland in 2019 and the Anna-Lena Dreijer Art Fund on The Åland Islands in 2022. 

Nick Rose (b.1998) began his creative path in photography during his teens, but his practice has since evolved to include oil, pencil, air dry clay, candle wax and spray paint, with drawing and sketching still grounding his process. After Rose moved to New York at a young age, he lived with a Danish artist Asger Carlsen, whose deep commitment to the unseen layers of a work left a lasting impression.

That influence still informs Nick’s approach: he builds images with attention to
the steps and structures that may never be visible in the final piece.
His first solo show was technically a painting exhibition, but it also included sculpture and photography—an early signal of his refusal to be pinned to one form. Now based in Los Angeles, where he’s lived for the past three years, Nick appreciates the sense of rootedness the city has given him, even if its landscape doesn’t directly inform his work. Instead, his references come from memory and spaces or things he’s visited or studied. 

More recently, he’s been experimenting with image transfers made from his own photographs—leaving behind ghost-like impressions that feel both personal
and fleeting. There’s a quiet beauty in how Nick’s aim with his paintings is to allow them to shift, be altered, or age over time and still retain their strength. This is what makes Nick’s practice so special: he embraces impermanence without letting it diminish the integrity of the work. - Jordan Horowitz, Fairground Advisory, 2025 

Nikoline Sonasson’s analogue, lens-based practice explores the shifting dialogue between humans and the environment in the face of the climate crisis. Working across photography, alternative processes, and site-specific interventions, she documents landscapes marked by time, decay, and ecological disruption. Her repeated returns to specific sites—glaciers, deserts, forests—reveal layered narratives of transformation, erosion, and resilience. Through the slowness of analogue techniques, Sonasson cultivates an embodied form of witnessing that foregrounds observation, patience, and care. Her work often incorporates mirrored surfaces or experimental darkroom processes, blurring boundaries between documentation and material interpretation. In doing so, she invites viewers into a heightened awareness of the land’s fragility and the traces we leave behind.

Nivikka Andersen

I’m a Danish/Greenlandic photographer and artist based in Copenhagen. In my daily life I work as a photographer together with my boyfriend and partner in a collaborative constallation that we call “Nogens Note”. From September 2025 I’ll be attending the Royal Danish Academy of Art.

Back in March I opened a collaborative exhibition at Gallery Wild Horses called “Hvis Det For Dig er Anderledes” created together with two fellow Greenlandic artists, Nina Sikkersoq and Lucas Duelund Meier. The exhibition was about exactly this; growing up in one culture, with strong ties and relations to another. 

I often find myself drawn towards work of identity and the liminal space between who you are and how the world sees you. Both as an individual but also as a human being living amongst other human beings. I work a lot with mixing the photographic medium with strokes of paint, to highlight and extend the medium as being a medium that is so close to what we perceive as the “truth” but still is and always will be merely a personal perspective staged and composed by the photographer. 

Olof Nimar's artistic practice moves between photographic and painterly processes and traditions. He explores the gap between what we know from experience and what we see – opposites that unite the forms of expression and deal with elementary concepts such as time and authenticity. With a conceptual approach to photography, Nimar expands the image in space through sculptural interventions. Olof Nimar (b. 1985) is based in Malmö and graduated from the Malmö Academy of Fine Arts in 2011. Nimar has since participated in several exhibitions in and outside Sweden, such as Andys Gallery, Stockholm; Malmö Konsthall, Malmö; Bienvenue Art, Paris; Ystad Konstmuseum, Ystad; Olseröds Konsthall, Olseröd; Galleri Format, Malmö; Fonderie Darling, Montreal; Goya Curtain, Tokyo; BiquiniWax, Mexico City and Trondheim Konstmuseum, Trondheim. 

Born 1974 in Denmark

Peter Funch (DK) currently lives and works in Paris, France. He lived in New York for 13 years as a photographer. 

Funch graduated as a Photojournalist from the Danish School of Journalism in 1999 and combines the social commentary with a cinematic style. His still and motion work often combines storytelling with a perceptive social commentary in a cinematic visual language. He is working internationally with exhibitions, books, editorial and advertising clients alike, combining his technical perfection with a touch of his Nordic calmness and dry humour. 

Worked with international clients like Sony, HSBC, Whitney museum. 

Ravn (b.2002), is a photo-based artist from Copenhagen, soon starting their studies in photography at HDK-Valand. They have been using the camera as a tool to explore how external expectations affect self-perception and the perspective of one’s own identity.  Ravn’s work is rooted in relational contexts, focusing on family dynamics and the significance of close, chosen relationships. In their practice, they hope to create a dialogue between their personal experiences and a broader narrative. 

Rikke Mádi (b. 1997, Copenhagen) is a visual artist based in Go- thenburg. She is interested in exploring interactions between ma- terials, textures and contexts and how the processing of images can recontextualize narratives and make us reconsider our knowledge base. Working within themes of time, memory, historical practice and the imaginary she explores distinctions between reality and fic- tion and how we understand ourselves through images. She works primarily with archival and found photographic materials.
Through techniques such as detail scans, digital cutouts and ma- nipulation she distorts reality and generates spaces for new perspec- tives. 

She holds a BA in History from University of Copenhagen (2022) and are currently studying a BFA in Photography at HDK-Valand, Göteborg (2024-2027).
Previously she has attended VERA Skole for Kunst og Design and Københavns Film og Fotoskole. 

She has recently exhibited with Galleri RYGGAN and in “The End”, a part of “Det blottade ögat” in Allingsås Konsthall. 

With a decades long background as a performer/writer on the alternative music scene, Robert Lund's photography was originally intertwined with the aesthetics and urgency of underground album and poster art. This work has in part informed his present-day process in which predominantly b/w, stream-of-consciousness imagery is often subjected to techniques like negative manipulation, re-photography and xeroxing. 

Working with both single and multiple print compositions,
Robert Lund regularly seeks out the underlying story of combined photographs in his montages, oftentimes finding stark poeticism in their narrative clashes and incidental geometry. 

Robert Lund lives in Copenhagen. Recent activity includes publishing the artist book Like Prayers to the Heavens, which was debuted by Tipibooks (NL) at Polycopies/Paris Photo. Material from the publication was subsequently shown at the group show Contrary To at Lot Projects, Hackney London. 

Sangría Valentino (he/they, b. 1987 in Silkeborg, lives and works in Copenhagen) explores, through a feminist and queer methodology, how marginalized bodies relate to and are influenced by contemporary digital culture, political discourses and image consumption. While working in photography, weaving, performance and video, they explore representations of gender, otherness, sexuality and identity, especially queerness. They are interested in the othered body as a particular (in)voluntary way of seeing and being in the world, and how this can exist, be shaped and performed both in front of, behind and outside the lens of the camera, as well as how it is represented in society's visual culture and discourses. They explore queerness as a negotiation and exchange of gazes with normative society, and as a magical outsider position that, for better or worse, is in touch and in motion with the world in its own way. They hold a bachelor's degree in photography from DMJX and a master's of fine art from KMD - Art Academy of Bergen. 

Sidse Carstens  holds an MFA as an Animation Director from The National Film School of Denmark and she works across a wide range of media. Her artistic practice is characterized by equal parts sensuousness and rock’n’roll, reinterpreting elements of pop culture through various forms such as painting, video, merchandise, performance and sound art. In each medium, Carstens embeds, directly or indirectly, feminist and sensitive expressions that reflect her interest in themes of embodiment and the constructed nature of identity and femininity.

Her work has been exhibited both nationally and internationally, with shows at ARoS Museum, Kunsthal Charlottenborg, and SMK (The National Gallery of Denmark). Her films have also been screened at institutions like Palais de Tokyo and Centre Pompidou in Paris. Sidse Carstens lives and works in Copenhagen, Denmark.

Sigurd Groendahl (b. 2002, Norway), is a multidisciplinary artist studying Fine Arts at the Royal Academy of Art in The Hague. His often strict but serene works draw inspiration from everyday life, which in childhood included the institutional, cold, and brutal architecture of Norwegian hospitals, matched by the warmth of his grandmother’s atelier in the countryside of Løten. His inspirations are visible in a wide array of works, often talking about the legal and emotional implications of our surroundings. Having two years at a prep school in Norway Sigurd developed an immense relationship to both space and sound. He is often seen manipulating the space to activate empty space and lack of sound, something that we all know can be deafening. 

Siri Tvorup (b. 1998, Denmark) is a multidisciplinary artist working between Copenhagen, Vienna, and Amsterdam, where she is pursuing her Bachelor’s degree at the Gerrit Rietveld Academie. Working with lens-based media, performance and text, her practice engages with themes of perception, contemporary anxiety, intimacy and alienation. More recently, her work has been examining the housing market in Amsterdam as a disabling system in the landscape of late capitalism, with a particular focus on embodying and addressing the precariousness of displacement and instability. Among exhibitions, Siri Tvorup has exhibited at the Stedelijk Museum in Amsterdam as part of the curated group exhibition Radical Accessibility, performed at The Fall Exhibition at Den Frie Udstillingsbygning in Copenhagen and exhibited a photographic portrait series at Fredensborg Slot for the PortraitNOW! exhibition, where she received the Carlsberg Foundation’s second prize. 

Søren Rønholt (b. 1969) is a visual artist having photography as his principal media. 

Thematically, Rønholt ́s work is characterized by a fascination with the immanent drama. A trait and a trademark you notice in both his person portraits and his photographic tableaus of landscapes and urban Badlands. 

A focal motive in his artistic photography is tableaus of raw and desolate, often majestic nature or urban structures of Scandinavia. From the grey rocks of the Faroe Islands, the Moonlike topography of Iceland to the sculptural wasteland of the Danish city Ørestad, each photo often seek to capture the almost zen-like calm of the motive, that should make you feel at ease, but somehow make you uneasy because you sense the drama, that just occurred or is about to occur. 

Born in India and raised in Denmark Sujato Wassileffsky is a visual artist and cinematographer who gradu- ated from the National Film School of Denmark. Since 2013, she has worked professionally in cinematography, honing a keen eye for atmosphere, light, and visual storytelling. 

In her photographic practice, Sujato works in fragments—snapshots that linger, whispering stories just outside the frame. Each image is a quiet study of atmosphere and detail, where memory flickers and meaning hides in the in-between. Her lens doesn’t seek resolution, but revelation—found in passing light, unnoticed corners, and the poetry of the ordinary. 

Sunniva Hestenes is a Norwegian artist living and working in Copenhagen. They hold a bachelors degree in fine art photography from HDK-Valand art academy in Sweden. Their work explores themes of destruction, transformation and renewal. Photography forms the foundation of their practice, which evolves through a process of reimagining the medium and recontextualizing material. Central to their work is the concept of destruction as a transformative tool, breaking down in order to create something new. Their practice examines the tension between decay and regeneration, questioning the boundaries of materiality and form. 

Charlie (1987, Sandefjord) and Dagny (1990, Sandefjord) make up the artist duo The Hays. Since 2016, to- gether with Tor S. Ulstein, they have published the newspaper Uncertain States Scandinavia, with the aim of creating dialogue between photographic artists, the audience and institutions. They both studied in England and at the Art Academy in Trondheim, and today they work on their individual artistic practices in addition to working collaboratively as The Hays. 

After marrying in 2022, Dagny Hay and Charlie Hay began photographing together. As newlyweds, they explore a shared visual language and willingly share their gaze with one another to create new works. Charlie is a man of the darkroom; Dagny, a self-proclaimed Empress of Light. Together, as an artistic couple, they initiated the image series What the hell do they know about love. The Last Language began to take shape in 2024, and A Parallel Society emerged this year — both remain open and evolving processes. 

Thomas Irving

As a photographer drawing from a background as a documentarist, my work is centered around the many potentials of the medium of photography in terms of aesthetics, methods and materials. By physically engaging in analogue processes I explore the parameters of lens-based work in a contemporary context. I am not interested in categorizing mediums and expressions, but rather in mixing documentary with constructed settings and formal experiments. 

My work aims to comment on the inherent duality of the photograph and further add to the ever-present discussion regarding the photograph as bearer of truth and the photograph as manipulated reality. Even though this discussion may seem obsolete, especially after the digitalization, it is hard to circumvent as we continue to be fascinated by the illusionistic allure of the photograph. Through its effect and meaning, photography creates space for the mystical storytelling that will forever be a companion to the medium. 

Xinhan Yú [Nanking CHN, 1996]

Graduated in Pittura Arti Visive in the Two-year Specialisation Course in Visual Arts at the Academy of Fine Arts in Bologna in 2022. He currently resides in Bologna.

In Yu's interventions, there is always a taste for spectacle, humor and the grotesque, and his provocations resonate with Chinese youth; he hides irony and metaphors in his imaginary plot, flirting with the problems of new-age Chinese society in a crude but playful way. The desire for revenge, the need to act and the desire to circumvent a system that oppresses and inhibits are the motivations that stimulate the works of XinHan Yú, an artist of Chinese origin who uses different mediums as a tool for social criticism; a means to exhume a memory, personal and collective, of a reality that needs to be brought to light. His current practice revolves around power structures, institutions of violence and Chinese Internet pop culture symbols.

Yeeun Kim (b. 2000, South Korea) is a London-based artist whose practice explores the fragile tension between separation and connection. Her work examines how political, geographical, and emotional boundaries shape human experiences, with a particular focus on borders, North Korea, the former Soviet Union, and diasporic communities. 

Working across video, photography, and installation, Kim often engages with field research, interviews, and site-specific encounters. Her projects reveal the overlooked processes and layered histories hidden beneath seemingly fixed lines — from geopolitical divisions to the subtle distances in everyday relationships. 

She is currently conducting research on Transnistria, a self-proclaimed but unrecognised state, expanding her ongoing exploration of contested territories and unrecognised nations. 

Recent works have been informed by travels across Central Asia and border regions, where she investigates nostalgia, hybridity, and the spaces between memory and place. Her practice seeks not to resolve absence, but to visualise the intangible gaps it leaves. 

Yinon Avior Philipsohn was born in 1991. In 2011, he began his academic studies at Kunstakademie Düsseldorf under the mentorship of Prof. Marcel Odenbach, and later continued at the Hamidrasha Faculty of Arts, where he graduated with a dual degree in Fine Art and Education (BFA.Ed). In 2019, he completed an MA at the Royal Academy of Fine Arts Antwerp. 

Philipsohn has held numerous solo exhibitions in Denmark at venues including the Kirsten Kjær Museum, Kunsthal Aarhus, Beast Art Center, and more. His work has also been exhibited internationally at institutions such as the Archaeological Museum of Corinth (Greece), CICA Museum (South Korea), L’Atelier d’Alexandrie (Egypt), and Hinterraum (Germany). 

Yinon Avior Philipsohn lives and works in Copenhagen, Denmark. 

Yotaro Niwa (b. 1973, Awaji Island, Japan) is a Berlin based artist. The subject matter of his recent work was a complex brico- lage, a search for analogies and causality between different visual languages from the fields of natural science and fashion, and included objects from nature and fragments of human creation that he found on a beach and deformed. The images handled here are examples of visual impressions from everyday urban life and believed to reflect human perception: somet- hing that is in fact both extended and limited by constantly evolving technology and media. 

He studied at Braunschweig University of Art in Germany after graduating from the master ́s degree at Musashino Art Uni- versity in Japan. He was awarded the fellowship of overseas study programme for Artists by the Agency for Cultural Affairs, Japanese government, 2009-2011.
He will show his new work at the Biennale Larnaca in 2025. His works have shown at exhibitions including: einBuch.haus, Berlin, 2020; Uferhallen, Berlin, 2018; Taipei Artist Village, Taipei, 2018 and 2015; Ujeongguk, Seoul, 2017; Kunstverein Mün- chen, 2017; Digital Art Center, Taipei, 2016; VT Artsalon, Taipei, 2016; Umetnostna Galerija Maribor, 2015; Vessel- room Project, Berlin, 2014; Art Berlin Contemporary, Berlin, 2012; Kunsthal Charlot- tenborg, Copenhagen, 2011; Irish Museum of Modern Art, Dublin, 2010.